© 2019 The After-Death Plan

Psycho Social Sexual album by After-Death Plan Featured in Columbus Alive

January 10, 2019

Andy Downing of Columbus Alive graces ADP with a review and interview of the new album:

 

http://www.columbusalive.com/entertainment/20190109/locals-after-death-plan

Duo embraces creative friction, love of language on sophomore album

 

On the After-Death Plan’s debut album, Literature, from 2017, the wife-husband duo of Lesley Ann Fogle and Constantine Hondroulis took inspiration solely from the written word, penning nine songs based on works of fiction. So coming into the follow-up, the pair knew it wanted to avoid hemming itself in conceptually, approaching writing and recording with a comparatively open mindset.

 

“After all the marketing, and talking about literature, we were like, ‘Oh, my god. Let’s just make songs,’” said Fogle, joined by Hondroulis for an early January interview Downtown.

 

Even so, many of the tracks on the just-released Psycho Social Sexual ended up sharing thematic DNA, informed by recent social and political movements, in particular the #MeToo movement against sexual assault and harassment, which surfaces in the record’s strong, repeated feminist imagery.

 

“When we were writing the record, these are the things that we would talk about. This was what was on our minds, and so it ended up in our art,” Hondroulis said.

 

“If there hadn’t been this avalanche of...” Fogle said, trailing off. “Over-the-top insanity,” Hondroulis said, finishing the thought.

 

Within the group, much of the creative tension comes not from these external forces, but rather from the push-and-pull between the two musicians, who exist on opposite poles, in some ways. Fogle, a longtime sound engineer who recorded for years under the moniker Mal Vu, described herself as less rigid and prone to favoring non-linear soundscapes that project a formless, ethereal quality. Hondroulis, in contrast, is more traditional in his approach, favoring hooks and choruses. In After-Death Plan, this friction exhibits itself as the album ping-pongs between lush, lullaby-esque numbers like “Starlight,” which unfolds like a surreal waking dream, and more straightforward, dance-oriented, pop-embracing numbers like the hip-shaking “Digging in the Fire.”...[read more]

 

 

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